Sur la dalle : décryptage du téléfilm avec Yvan Attal et Corinne Masiero

The TV movie On the Slab, aired on October 21 on France 2, has generated interest among fans of detective novels and television adaptations. With a promising cast led by Yvan Attal as the famous commissioner Adamsberg, this thriller written by Fred Vargas aims to be an intriguing foray into the world of fictional investigations. Once the curtain is lifted, what should one really think of it?

A faithful adaptation of the original work?

The essence of Fred Vargas

Based on the recent novel by Fred Vargas, On the Slab reaches heights by preserving the particular atmosphere that characterizes her work. The thriller is set in Brittany, where Commissioner Adamsberg, accompanied by his associates, investigates a series of murders bordering on the fantastic. The writer, known for her narratives combining investigation and touches of humor, manages to imbue this adaptation with her unique style, even though the tension is sometimes diluted.

Some flaws in the plot

Despite a careful staging, it is essential to note that the story may seem contemplative at times. Abundant scenes of camaraderie among the characters sometimes give the impression of dragging the plot. This characteristic, while typical of Vargas, can leave a bitter taste with some viewers, who may expect more action. Some critiques mention a slow pace that may not suit all viewers in search of suspense.

The performances at the heart of the narrative

Yvan Attal in the lead role

The performance of Yvan Attal as Adamsberg is widely praised. He, replacing Jean-Hugues Anglade, manages to instill in the character a depth and eccentricity that define the investigator. The close collaboration between Attal and director Josée Dayan, experienced in adapting Vargas’s novels, reassures about the continuity of the character. Corinne Masiero and Sylvie Testud, also part of the cast, add their own touches of finesse, enriching the tableau.

A gallery of eccentric characters

The characters, each more colorful than the last, add an interesting dynamic to the story. They successfully represent Vargas’s unbridled imagination. However, one criticism must be noted: some protagonists are rendered more caricatured than nuanced, which may disappoint purists of the Vargas style who prefer more subtle characters.

The setting and atmosphere

The Breton landscapes as a backdrop

The Breton landscapes, carefully highlighted, function as characters in their own right. The wild beauty of the setting helps to enhance the mystery that permeates the work. That said, the visual representation, although captivating, might sometimes give the impression of overshadowing the narrative itself.

A dilemma in pacing

The combination of atmosphere and the slowness of the plot can hinder the narrative flow. Fans of quick action and unexpected revelations may find this aspect disappointing. However, for those who enjoy a deeper immersion into the characters and dialogues, this choice may seem relevant.

Critical reception and public opinion

The echoes of viewers

Initial public feedback is mixed. On the one hand, some praise the fidelity to the original work and the ability to capture the universe of Vargas. On the other hand, other viewers express some frustration regarding the plot, deemed too slow to develop. The airing period on France.tv before the televised release has also sparked diverse opinions, prompting the public to voice their thoughts.

Future prospects for this franchise

While the adaptation of On the Slab could pave the way for other stories by Fred Vargas, expectations are high. The success of this first adaptation could determine whether more works from the writer’s bibliography will be brought to light in a similar way.

In conclusion, the adaptation of On the Slab raises a tangible debate about the balance between homage to literary works and the need for a compelling narrative. What are your impressions of this TV movie? Feel free to share your opinions in the comments.